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With more audio companies swiftly adopting this model, plugin subscriptions may soon morph from new trend to common practice.
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This relatively new business model (at least for the pro audio market) can offer an insane amount of value at a surprisingly low monthly cost.įollowing in the footsteps of Adobe’s CreativeCloud and popular consumer-facing companies like Amazon and Netflix, audio developers including Slate Digital and Softube were quick to jump in and offer plugin bundles that aim to put more tools in the hands of audioworkers than ever before at a low initial price.
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One of the latest trends in the world of audio effects is software and plugin subscription. They are now joined by names including Eventide, Softube, Kush and more. The VMR plugin is also modular, and new processors will be added in the future which will further enhance its powerful functionality.Slate Digital’s Everything Bundle was one of the earlier audio plugin subscription services. Unlike so many ‘analog modeled’ equalizer plugins and compressors that simply recreate analog equalization and compression curves, the VMR models every nuance of the circuit paths and recreates all of the essential harmonics, saturations, phase, and interactivity that give the units their trademark tone. The FG-401 is perhaps the most versatile mix compressor in the world that can sound good on any source you feed into it. Last, we added an entirely unique second circuit path that provides and additional smooth and rich tone. But then, we added an optimal transformer inout, and not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor. First, we gave it variable attack and release with increased range which added more tonal options. The FG-401 started as a recreation of the classic british console channel compressor, but morphed into quite a lot more. The FG-116 sounds great on everything like lead vocals, drums, and bass guitars. From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 will give engineers the musical and fat tone that has made the hardware so famous. No expense was spared to capture every nuance of this classic sounding compressor/limiter. The FG-116 is the most precise digital replication of the classic American FET limiter. It is great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers. This is the ultimate workhorse mix eq that can be used on any track. This equalizer also has rich harmonics and interactive mid bands with a fat musical tone. The FG-S is a digital recreation of one of the most famous British console equalizers from the 80’s.
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It sounds great on everything from drums to vocals, and can even add the perfect saturation to synth and electronic tracks. The original model only contained one mid band, so we thought it would be nice to double it so that it has two mid bands. All aspects of the circuit are modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use.
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The FG-N is a digital recreation of one of the most classic discrete Class A British equalizers from the 70’s.